falderal : a moving images blog
Some quick thoughts  ·  Posted by Tallulah

Since I got into grad school, I figured that I should brush up on my film knowledge before heading off because I say the following phrase too often: I’ve heard of the film, I know some things about it, but I haven’t watched it. Because of this, I am going to watch some films from my to-watch list. It’s about freaking time that I watched some of these!
I’m too tired to write fully thought out entries so this is the best I could muster.

8½ (1963)
Director: Federico Fellini
Actors: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo
Country: Italy, France
I FINALLY WATCHED THIS FILM. I FINALLY DID. AND I DON’T KNOW WHAT TO MAKE OF IT. My god, it’s beautifully shot and there were some parts of it that I loved but this was my reaction:
First third of the film: What is going on?!
Second third of the film: OH MY GOD THIS IS SO GOOD.
Last third of the film: What what what what?! (à la Kyle’s mom from South Park)
I will have to rewatch this after 10 years have passed, although this movie did make me wonder if I would give it a second chance if it wasn’t such a well regarded film. Also, ANOUK AIMÉE IS SO GORGEOUS IN THIS MOVIE.

Asphalt (1929)
Director: Joe May
Actors: Albert Steinrück, Else Heller, Gustav Fröhlich, Betty Amann
Country: Germany
I really loved the way the title was filmed along with the city scenes since it reminded me of Berlin: Die Sinfonie der Großstadt — I think I read that the film was filmed by the same people? It was nice to see Gustav Fröhlich in a movie that isn’t Metropolis (will forever love his pants in that movie) and Betty Amann was such a babe in this film! Can I please look awesomely vampy as her one day?! Her as Else in this movie is my vamp idol. I didn’t find the movie to be too enjoyable to watch although I found it very interesting in that I felt like the movie was a morality film. It’s like: LOOK AT ALBERT’S PARENTS. THEY ARE OLD FASHIONED THUS HAPPY AND GOOD PEOPLE BUT LOOK AT HOW THE CITY HAS CORRUPTED ALBERT BECAUSE ELSE IS THE EMBODIMENT OF MODERNIZATION. Outside of that point, the story itself was nothing special and seemed trite. I did like the happy ending though :)

The Postman Always Rings Twice (1946)
Director: Tay Garnett
Actors: Lana Turner, John Garfield, Cecil Kellaway, Hume Cronyn, Leon Ames
Country: U.S.A.
I DON’T REALLY CARE FOR THIS FILM BUT THIS MOVIE GAVE ME SO MANY FEELLLLLSSSSSSS. Cora, played by the oh-so-beautiful Lana Turner, is often labeled as a femme fatale and maybe I have the wrong idea of the definition of femme fatales, but to me, I always see that label as connoting something negative. Well, I don’t think Cora is a femme fatale and any trouble Frank got into in his movie was his fault. I found Frank so unlikable that I couldn’t help but side with Cora and couldn’t see her as anyone bad. I think it is because she is shown to be quite human (she is often stating her goals and she is jealous when she finds out Frank had a fling) whereas my personal ultimate femme fatale is Phyllis Dietrichson, who is cool as a cucumber and has an air of mystery. If you ask me, Cora doesn’t have that cool or steeliness that Phyllis does, although that kissing scene is AMAZING when she wipes her mouth and reapplies her lipstick after the kiss.
I wouldn’t watch this film for fun again but I really need to make a gif of that kissing scene because it is too great.

The Misfits (1961)
Director: John Huston
Actors: Clark Gable, Marilyn Monroe, Montgomery Clift, Thelma Ritter, Eli Wallach
Country: U.S.A.
I adore Marilyn Monroe and a long time ago, I decided that I’ll watch all the films she starred in but I kept pushing off watching The Misfits. I enjoyed it in the same manner that I enjoyed watching The Night of the Iguana because both films portray the characters so well.
Thelma Ritter was A+ as usual but what I found so disturbing about the film was seeing Montgomery Clift and Clark Gable. The Gable I know is the way he looked and sounded in the 1930s and to see him in this film looking so old and not having that voice of his was shocking. I didn’t know how to digest it and I felt like the charisma he had in all his older films was gone. He was good in the role but he didn’t have that sparkle that he has even in his most banal roles from the 1930s. I always associate Clift with his role in A Place in the Sun because that was the first film I saw him in and he made such a big impression on me. In The Misfits, he looked so haggard that I couldn’t get over it. What made it worse was that I felt like Marilyn Monroe looked so beautiful in this film and to see her with these two stars looking very different than what I am used to emphasized how I viewed her character in this film. Roslyn is so different from everyone around her and her beautiful appearance emphasized that amongst the other actors. The character of Roslyn is actually how I imagine Monroe to actually be: a very sensitive soul that isn’t understood by many people.

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